dance academy

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V and T dance


Victor Kasatsky

Artistic Director
Choreography, Ballet Technique, Point, Variation, Partnering


Mr. Victor Kasatsky started his career as a ballet dancer in 1972 as a principal dancer with the Moscow Classical Ballet Company. He was taught by such masters as Naum Azarin, Azari Pilsetski, Igor Uksusnikov, and Yuri Zdanov.

He danced title roles in Creation of the World, Romeo and Juliet, The Rite of spring, Swan Lake, Gayane, Don Quixote, La Bayadere, Albinoni Adajio, St. Petersburg Twilight, Daphnis and Chloe to name just a few.

Tatiana Kasatsky

Artistic Director
Choreography, Ballet Technique, Point, Variation, Repertoire


Ms. Tatiana Kastasky was educated at the Moscow Bolshoi Academy under the tutelage of Nina Chistova.

After graduation in 1978, she joined the Moscow Classical Ballet Company, where she worked with the great ballet masters like Marina Semenova, Naum Azarin, Marina Kondratieva and Azari Pilsetski and danced both classical and contemporary ballet until 1990.

Her repertoire included Creation of the World, Romeo and Juliet, The Rite of Spring, Swan Lake, Gayane, Don Quixote, La Bayadere, Albinoni Adajio and many more.

Ms. Kasatsky worked with world famous choreographers such as Pierre Lacotte (in his setting of Natalie for Moscow Classical Ballet), Roland Petit (Sonata and L’Arlenne), Alberton Alonso (Bahiana El Guijo), Balanchine (Symphony #5), and Kasyan Galeizovski (Mimoletnosti).

Melanie Hawkes Seeley

Ballet Technique


Melanie Hawkes Seeley is originally from the San Francisco Bay Area. She attended intensive summer programs with American Ballet Theater, Ballet West, and Alonzo King’s LINES Ballet. After completing a B.F.A. in Ballet at The University of Utah, she danced professionally for nine years with several companies including Columbia City Ballet and the Mark Foehringer Dance Project/SF. She earned an M.F.A. in Dance in 2014 from University of California, Irvine on a full-tuition scholarship. Her research focused on updating Swan Lake for the digital age audience using current digital technologies. She then spent a year as visiting faculty at BYU-Idaho’s Department of Theatre and Dance. She has extensive experience over the past sixteen years in teaching, choreographing, restaging, and directing. Her choreography has been presented at Bay Area Dance Week, the Laguna Dance Festival, internationally with Eastern Artists, and in student concerts and recitals.

Melanie is certified in the ABT National Training Curriculum.

Rena Kamariotakis

Ballet Technique


Rena began her early ballet training with Rosemary McCarter and former Joffrey principal Elizabeth Huebner. At age 13 she started intensive coaching under Stela Viorica of the Romanian National Ballet, studying the Vaganova method for several years. In addition, she received training from Maria Sifuentes, Shao-Pen Wang, Vladimir Kolesnikov, Alexander Greschenko, Alaine Haubert, Stefan Wenta, Larry Rosenberg, Melissa Allen Bowman, and Michel Gervais. Rena performed extensively with the Ballet Montmartre in many ballets including Don Quixote, Paquita, Alice in Wonderland, Bluebird pas de deux from Sleeping Beauty, and in a ballet adaptation of Charles Dickens’ A Christmas Carol, where she performed the roles of Mrs Cratchit and the Ghost of Christmas Past. Afterward, Rena joined the Anaheim Ballet as a company artist, performing the Arabian Queen in their Nutcracker tour in Nevada and Southern California and dancing soloist roles in Hans Christian Andersen, Martini, Carnival of the Animals, and Balanchine’s Serenade. Rena then transitioned to a career in software engineering and currently works for Zillow. Over the years she has been teaching ballet at schools throughout Orange County, including Jimmie Defore Dance Center, Anaheim Ballet School, Maple Conservatory, Dmitri Kulev Classical Ballet, and V&T Dance. She loves passing down her knowledge and passion for ballet to her students, and places emphasis on artistry and epaulement in her teaching.

Daria Tertova

Ballet Technique


Dasha is a Founder and Artistic Director of MDC Company Millennium Dance Complex LA. She received Outstanding Choreography Awards at the Youth America Grand Prix Competitions in 2016, 2017, and 2018. She is a professor at the American Music and Dramatic Academy in Los Angeles. Her professional credits include Beyonce, Madonna, The Black Eyed Peas, Pharrell, Daft Punk, Cirque Du Soleil, Burn the Floor, Cats, Chicago, Mamma Mia, MTV Music Awards, and the Billboard Awards. She has also worked with the Moiseyev Ballet, Bolshoi Ballet, and Riverdance.

Dasha was born in Moscow, Russia. She attended the Russian Academy of Theater Arts GITIS, where she studied Classical Ballet, Modern Dance, Historical Dance, Tap, Flamenco, Jazz, Composition, Directing, and Music Studies. She has a Master’s Degree from the Russian Ballet Academy, Russian Theater Company.

Taylor Wittick

Ballet Technique


Taylor’s passion for dance was first sparked during her years of rigorous training under a nationally ranked high kick team; well known for their athletic ability and stunning technique, winning National Championships in 2008, 2009, 2010, and 2011. Upon graduating, she continued her training in dance, attending several years at Boogiezone University where she studied with many sought after choreographers in the industry such as Gina Starbuck, Leo Morimune, Andrew Winghart, and Jillian Meyers. Her credits don’t stop there as she was a lead dancer in, Inc. the Company, a contemporary dance company. She began teaching and training with some of the top studios and teachers, such as Francisco Gella and Tokyo Kevin Inouye. To take her love of dance to the next level, in 2013, Taylor auditioned for a world renowned TV show: “So You Think You Can Dance”. She was highlighted as one of their favorites in Los Angeles but due to injury could not continue. In light of this event, she co-founded an elite training program, True Dance Potential, in hopes of increasing the longevity of dancers’ careers as artists and athletes. Taylor is now pursuing her own dream of opening up an elite training and recovery studio to provide the resources, training, and education for young dancers and athletes to take their careers to the next level safely and effectively.

Karen Woo

Little Me, Pre Ballet, Ballet Technique, Contemporary Dance, Stretch


Karen specializes in our youngest dancers, ages 3 and up. Originally a business major, she found her true calling and graduated with an MFA in dance from CSU Long Beach. Upon graduation Karen danced and toured with the Bella Lewitzky Dance Company and the Gloria Newman Dance Theater. She worked with renowned choreographers Doug Varone, Trishia Brown, Donald Byrd, Joe Goode and Mark Haim. Karen’s choreography placed in the top three for YAGP regionals in the ensemble category, and several of her pieces went to YAGP’s New York finals. In addition to teaching dance she loves being a children’s leader for bible Study Fellowship.